
Before the trap became a global phenomenon, Spain The foundations of this genre were already being laid. What we present below is a compilation of older trap tracks from Spain. There are many more, but we wouldn't finish this blog. I remind you that this isn't a top list, just a compilation of what's been said. We hope that with this post you discover new horizons you weren't aware of and return to the roots of the genre. Enjoy.
The Beginning with Swagger
One of the first trap songs in Spain was "Bertin Osborne" of Swaggerao, released in 2011. This track, a remix of the hit "Tony Montana" of Future, was not only a pioneer in his sound, but also in his adoption and adaptation of a genre that had been little explored in the country until then. Swaggerao took the foundation of American trap and injected a dose of originality and Spanish flavor, paving the way for future musical explorations.
Top Gang and the Hard Hustle
Almost simultaneously, Top Gang launched «Hard Hustle Remix" in 2011, further cementing trap's place in the Spanish music scene. This track demonstrated that trap wasn't a passing fad, but a genre with the potential to grow and evolve within the Spanish music scene.
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International and Local Influences
Ill Bambinos It didn't take long for him to join the wave with "Swag Surf«, a remix of «Swag Surfin'" of FLY (Fast Life Yungstaz), a topic that even Lil Wayne had previously remixed with "No Ceilings«. The choice of this track for a remix by a Spanish artist demonstrated the globalization of the genre and how international influences were reinterpreted with a local touch.
Lory Money: A Unique Fusion
We cannot ignore Lory Money, with his theme "Santa Claus", brought a different approach to Spanish trap. Blending humor and social criticism, Lory demonstrated that trap could be a vehicle for all kinds of messages, from the most serious to the most satirical.
The Evolution Continues
As the progress was made 2012, artists such as Yung Beef with "Rvyvnvir" and Pawn Gang with "A-Kuatra Set» continued to enrich the scene. «Block Runners» with his version of «I Don't Like" and the already classic "Yellow Lambo» by Yung Beef in 2013, continued to consolidate trap as a versatile genre rich in nuances.
A Legacy That Endures
These tracks and artists not only paved the way for trap to firmly establish itself in Spain, but also demonstrated the genre's ability to adapt and evolve. By taking influences from American trap and blending them with local culture and sounds, they created something unique and distinctly Spanish.
The importance of these pioneers lies not only in their music, but also in their boldness in experimenting with new sounds and expressions, thus establishing a solid foundation upon which the next generation of trap artists could build. Looking back today, it's clear that without these early experiments and successes, the Spanish trap scene wouldn't be what it is today: a vibrant, diverse, internationally recognized, and constantly evolving genre.
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